Soderbergh talks to IndieWire about "Jaws," his 15-year project to write a book about directing, and working to get his entire film catalog in 4K HDR.

Steven Soderbergh isn’t just the director and cinematographer of his latest film. He’s also, in a way, its central character. “Presence” is filmed entirely from the POV of a ghost inside a home a family has just moved into.

Since his flirtation with retirement about a decade ago, filmmaker Steven Soderbergh has been working at an almost feverish pace, cranking out film after film, usually genre exercises made swiftly, with light,

Steven Soderbergh’s directorial credits include Erin Brockovich, Traffic, Ocean’s Eleven, and Magic Mike. His latest, Presence, is a supernatural thriller shot entirely in the first-person perspective using a Sony Alpha 9 III mirrorless camera.

Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.

Although it premiered at Sundance almost a year ago, Steven Soderbergh’s Presence is finally making its way to theaters, and audiences may well find

While Soderbergh is known best for his films in the 1990s and 2000s like “Sex, Lies, and Videotape,” the “Ocean’s Eleven” trilogy and “Out of Sight,” his recent output has been fascinating and boundary-pushing in terms of style and storytelling,

Steven Soderbergh's upcoming horror flick Presence has a new trailer now as its US-wide release nears. It gives the users a fresh take on what they can expect from the film where the camera is the ghost. In contrast to the past looks, it was more tense as it showcased what this entity can do.

As many in the entertainment industry navigate the devastating effects of the California wildfires, some will soon be decamping to cleaner air in the mountains. The annual Sundance Film Festival begins Thursday in Park City,

The actress says she didn't find out about the spirit until after she and her son had already moved into their happily haunted home.

While he made his name in the mainstream with the Magic Mike and Ocean’s Eleven films, Steven Soderbergh has experimented with genre and form in a number of smaller movies. In the horror genre, he made 2011’s frighteningly prescient pandemic horror Contagion,