Steven Soderbergh isn’t just the director and cinematographer of his latest film. He’s also, in a way, its central character. “Presence” is filmed entirely from the POV of a ghost inside a home a family has just moved into.

Soderbergh talks about writing a book about how to direct movies via Spielberg's 'Jaws' and remastering his entire film catalog in 4K HDR.

"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors."

There’s only so much that a person can hold before everything collapses.” With Presence now in theaters, Vogue spoke to Liu and Liang about preparing for their unconventional film—and their own relationships to the paranormal.

Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out of a story, dreams and screenwriting, and his thoughts on the business of screenwriting today. Presence opens January 24, 2025 from NEON.

The filmmaker turns a supernatural thriller into a first-person storytelling experiment and a family drama that'd make Eugene O'Neill cringe.

Over the course of his nearly four-decade career, Steven Soderbergh has just about done it all—including, now, made a horror film. Presence is a ghost story like no other, assuming the first-person perspective of a specter that haunts a suburban clan that’s moved into its residence.

Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.

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CHICAGO – Patrick McDonald of HollywoodChicago.com audio film review for the new film “Presence,” directed by Steven Soderbergh (“Ocean’s 11” series) and is the story of a family that experiences a spectral being within their just-moved-into rehabbed home.

The story of the parents and children, as depicted by director Steven Soderbergh, is so interesting, it would work well even without the supernatural element.